陳麗昕，出生於1994年，畢業於台灣長榮大學藝術學系。她的作品風格通常以雙勾填彩，花鳥畫為主，力求寫實逼真，使觀者亦能感受到畫面里的溫度。藝術家善使用輕透感的設色，使作品色彩層次變化豐富，也會以多層筆墨敷染出物象的厚重感，或在白色的主題上會以白粉強化，營造光芒的錯覺，為畫面增添幻影般的神秘感。她不僅僅使用傳統的墨彩國畫顏料，還加入了礦物顏料和金箔作畫。觀者能從畫卷中看出，在追求扎實的筆墨基礎上，也孜孜不倦地融合著創新與傳統表現新意。至今多少藝術家用盡一生竭盡所能追求「光影」。

陳麗昕的繪畫雖是「寫真」的中國花鳥畫，卻融入西方的「光影」繪法。她的筆觸流暢卻又飽含細膩和豐富的情感，更有清新明快的色彩，溫暖動人的畫面，讓人感受著作品無處不在的詩意。陳麗昕繪畫手法輕柔細緻，繪畫風格獨特，相較傳統筆墨更增新意，媒材並不侷限題材，突破並非一定要誇大前衛，嘗試呈現眼前的景物，專研所想表達的美感，師古而造化，畫以載道。

Born in 1994, Chen Li hsin graduated from arts department of Chang Jung Christian University.

Her works focus on realistic flower-and-bird paintings with exquisite brushes, so that viewers can feel the feeling of colors in the picture. The artist is good at using light color setting to make her works have rich layers of colors, and applies multilayer ink to dye the sense of messiness on the objects. Or she uses white powder to reinforce the theme, building the illusion of light, adding phantom mystique to the paintings. 

She not only uses the traditional Chinese painting pigments, also joins the mineral pigments and gold foil. Viewers can see that she is continually seeking the expression of tradition and innovation on the picture based on her solid painting skills.

Nowadays, many artists still keep improving the skill of expressing light and shadow. Although the artist focuses on pictorial Chinese flower-and-bird paintings, but she also integrates into the western method of expressing light and shadow. With smooth and delicate brushes, rich emotions, fresh and lively colors giving warmth to the picture, audience can feel the ubiquitous poetry in her works.

Her painting style is gentle, meticulous and unique. Compared with the traditional Chinese ink, there is no limit in the materials and no exaggerate breakthroughs, just expressing the aesthetics that she feels. The artist innovates from the tradition and paints for moral improvement.